Showing posts with label fanfiction. Show all posts
Showing posts with label fanfiction. Show all posts

Thursday, September 7, 2017

Writing Thoughts and Escaping From Reality

So, once again, I’m tempted to write in another fandom. I wrote my first Jeeves/Wooster fic, “Hard Boiled Eggs” and I’ve been on a reading binge for at least a week. A large part of the latter is that my elderly mother is doing badly and I need to hide from that and from the state of the world in general. So I plunge into the world of Archive of Our Own 3 for hours on end.



But is all of my time to be taken up writing fanfic? I’m not young anymore. I should be turning my thoughts to a memoir,  and essays. I have many ideas. I’ve written about mental illness. Right now I’m writing a piece about going insane. I’m quite good at it. I’m considering writing about handling a gun (45) while I was in Memphis and how I really wanted to buy it. Even though I’m pro-gun control and a New Yorker to boot. I should finish a long piece I’ve been writing about my father’s death. Or the time I had orgasms for 18 straight hours. Or the time a SWAT team showed up on my doorstep and took me to the psych ward. (Turns out it was a false alarm–someone called in to 911 deliberately. I never found out who it was.) I managed to write about being deported from England, in “A Basket Full of Cats”.

I should finish the enormous historical fantasy novel I’ve worked on in spurts since 2009. I should promote the anthology of my plays that a small press published over a year ago. I should try to perform more than twice a year.

Part of me just wants to write about the unexpected consequences of when Bertie convinces Jeeves to be Fred Astaire to Bertie’s Ginger Rogers.

If I was younger I wouldn’t be quite so conflicted. Oh, wait, I’m always so conflicted.

Tuesday, March 24, 2015

I Carry A Badge - Dragnet 1969 Fan Fiction (NC-`17)

Written for the "Come As You're Not" fiction challenge.  The challenge was to write for a bizarre fandom.  I picked "Dragnet 1969".  You can't get more bizarre than that.  NC-17, 'cause it's funny.
Characters: Joe Friday, Bill Gannon.  POV: Joe Friday.

Officer Bill Gannon, Sergeant Joe Friday.

This is the city. Los Angeles, California. It’s a nice place to live. We try to keep it that way. But there are rapists, murderers, thieves. Every 60 seconds a crime is committed. That’s where I come in. My name's Friday. I carry a badge.

(DRAGNET THEME)

It is Tuesday afternoon. Then we get the call: a 163 in progress in Yuma City.
3:10, Yuma City. My partner Bill Gannon and I arrive in an unmarked car. By that time the perpetrators have fled.
Gannon: “Well, looks like we have an afternoon on our hands.”
Friday: “Let’s keep an ear on the scanner.”
3:30, Yuma City. The scanner reports routine crimes. Purse snatching. Marijuana bust.
Gannon: “You know, Joe, there’s been something on my mind.”
Friday: “Yeah.”
Gannon: “How ‘bout we have sex? We don’t have to bring the car back until 6:00.”
Bill is right. The car is due in the police garage at no later than 6 p.m.
Friday: “You know a motel?”
Gannon: “Yeah.”
Friday: “Hourly rate?”
Gannon: “It’s cheap enough. Don’t care who you are. One thing.”
Friday: “Yeah?”
Gannon: “Don’t let the wife know.”
3:45, Yuma City. We check into the Yuma City No-Tell Motel.
Clerk: “You want a single room?”
Friday: “Yeah. With extra towels.”
3:47, Yuma City. Officer Bill Gannon and I check into room 317. We draw the shades. Gannon puts the police scanner on the bedside table.
Gannon: “Well, Joe, here we are.”
3:49, No-Tell Motel. Officer Bill Gannon is stripped down to his underwear, revealing a Caucasian male, 5 foot 10 inches, approximately 195 pounds, with a distinctive birthmark on his right hip. I undress in an leisurely manner, so as to not let Gannon know that I am eager.
Gannon: “You use the police gym, don’t you, Joe?”
Friday: “Twice a week. Looks like you could use it a few times.”
3:51. Officer Bill Gannon proceeds to kiss me. He needs a shave. Gannon puts his arms around my waist and continues his osculation.
Friday: “Good kissing.”
Gannon: “Thanks, Joe. How about some tongue.”
Friday: “If that’s what you want.”
I put my tongue in Gannon’s mouth. From his facial expression I deduce that he feels pleasure. So do I. There is an erection in my briefs, indicating sexual arousal.
Gannon: “You want me to suck that?”
Friday: “No. Lie on your stomach.”
Gannon: “Whatever you say, Joe.”
4:15, No-Tell Motel. Officer Bill Gannon lies naked on the left-hand twin bed. I lubricate my penis, which is still erect.
Friday: “You showered?”
Gannon: “Yeah.”
4:17. I lower myself until I am perpendicular to Officer Gannon. I insert my right forefinger into his anus. He responds with what again sounds like pleasure. We have done this many times. I put the lubricating fluid onto my penis, then push into him. It feels good.
Gannon: “Joe, that’s great.”
Friday: “Yeah. Scream like a girl.”
Gannon: “You got it.”
As ordered, Officer Gannon proceeds to scream like an underage female as I slide in and out of his anus. I increase my speed, until he is arching himself under me. I sit up on my knees and hold Gannon’s hips for maximum penetration. I proceed to pound him with alacrity.
Gannon: “Joe, Joe, Joe, Joe”
Friday: “Who carries a badge?”
Gannon: “You carry the badge—Joe—badge—yes—“
4:26 p.m. Officer Gannon ejaculates. I continue my motions until I, too, ejaculate.
4:31 p.m. No-Tell Motel. We stay in the motel room and share a cigarette.
4:40 p.m. No-Tell Motel. We have sex again. Gannon is always the bottom.
5:02. It is time to return the car.

Wednesday, August 13, 2014

What'd I Say - A House MD Fanfiction

For a long time, I wrote silly little House MD fanfictions, mostly post-episode but also a number of House/Wilson fics.  It's been over a year since I wrote one.  But this idea banged around in my head and finally wrote it down.  Whether you like it or not?  HEY MOTHERFUCKERS, I DON'T PLAY THE PIANO!  Ahem.  What I meant to say, was, I spent a lot of time on Youtube piano tutorials.  I don't think you're motherfuckers at all.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was like a dozen bars they’d walked into over the past three months.  Small, grungy, neon lights advertising Bud Light, ancient framed ads for Schlitz and Schaeffer.  Old photos pinned to the wall behind the bar. Boring.  The patrons were boring.  The smell was boring.  But off to one side was a banged-up upright piano.
“Here we go, Wilson.  Get us a couple of beers.” 
To make their journey more interesting, since House couldn’t teach Wilson medicine, House decided to teach Wilson piano.  This despite the fact that Wilson had less rhythm that a panic-stricken teen at his first dance.  Teaching Wilson twelve-bar blues had taken fifty bars over two states. 
Often, after the lessons, House played the piano and took requests, for tips.  He flat-out refused to play “Let It Go.”  The song was bad enough. Listening to it being mangled by some drunken bar babe was more than House could take.  Sometimes there would be other musicians, and he could jam.  Not often enough.  So he took on the colossal task of teaching his tempo-challenged friend to play the piano. 
Wilson slid onto the piano bench next to his friend. “So, what’s on the curriculum tonight?  You going to make me play ‘Kitchen Man’ again?”
“No.”  House gave a slight, condescending node.  “Tonight, we’re going to learn three simple blues chords for the left hand.  Simple for anyone but you.”
Wilson started to rise from the piano bench.  “I don’t have to take this, House.  There’s got to be a woman in here without herpes.”
“Sit down and put your left hand on the piano.  E to B-B to D to E. Play that twice.”
Wilson did as he was told, frowning. “Where do my fingers go?”  In exasperation, House showed him, thumb to little finger.  “We’ve been over this, Wilson.”
“I’m trying, House.”
A long, thin man wearing a trucker’s cap and a bad case of rosacea walked up to the other side of the piano.  “Mister, you two better be leaving.”
“You better stop drinking before your nose gets any veiny-er.  We’re not together, you retarded tinhorn.  I’m giving this guy piano lessons.”
“Best not do it here.”
Wilson whispered, “House, we should--“
House’s eyes did not leave the other man’s face. “Don’t force me to play Mozart.”
“We sleep in separate rooms!” Wilson burst out.  “Really!  We’re as straight as any of you!”
“Straighter, from what I can see,” House added.  “You wouldn’t hit a cripple, would you?”  He lifted his cane, with just the tiniest hint of menace.
“No, I--“
“Then fuck off.  I’ve got to teach a musk ox how to tickle the ivories.”
Flummoxed, the man went back to the bar.  He said a few words to the bartender, who gave House a look that was supposed to be intimidating.  Didn’t work.
“Musk ox?”
“Okay, chimpanzee. Where were we?  Try again.  E-B-B-D-E, E-B-B-D-E, A-E-E-G-A, A-E-E-G-A.  Again.  Again.  Now, B-F sharp-A-A-B, back to A-B-G-A.  Again.  Jesus, Wilson, put a little soul into it.”
“You’ve already made it clear I have no soul.”
“Again.”
Wilson frowned as he picked out the notes on the yellowed keys.  “This sounds familiar.”
“Keep playing.”  As Wilson played the bass line over and over, House’s right hand went to the keys and played the same rhythm with flourishes.  Wilson stopped.
“I know this song!”  He chuckled.  “It’s by Ray Charles!”  He looked at House.  “You’re going to tell me it was first done by Blind Schlomo Rutabaga, aren’t you?” Wilson rested his hand on the keys.  “My parents took Danny and me to summer camp, we’d always stop in this old-fashioned luncheonette with ice cream sodas and tiny little hamburgers.  It had a jukebox.  We’d beg Dad to play this song.  We had no idea what it was about, especially the moaning part at the end.  Danny thought it was funny.”  His smile turned introspective.  “Danny thought it was funny.  What’s it called?”
“What’d I Say.  One of the great songs of our lifetime, even if you little putzes couldn’t appreciate it.  Okay, play the chords, I’ll come in with the right hand, B-D-E chord.  You keep playing the same bass line through the song, thank God.  For the intro, you play a few times, then I come in and demonstrate how lousy you are.”
After  a few tries, Wilson had it down.  House played the upper part with his right hand.  Several bar patrons had stopped talking and listened to the two men play.
“Faster,” House demanded.  Wilson did as best he could.  Blissful, House went along, his hands deftly flying through the right-hand part, his left hand beating rhythm on the top of the piano.  He started singing.
“Hey mama, don’t you treat me wrong, come love your daddy all night long
All right now, hey hey, all right--
See the girl with the diamond ring, she knows how to shake that thing
All right, now now, all right, all right--“

Wilson grinned like an idiot, so proud of keeping up.  The other people in the bar were now all listening.  Two even clapped along.  The bartender leaned on the bar, the intimidating look gone.

“Tell your ma, tell your pa, I’m gonna send you back to Arkansas
Hey hey, you don’t do right, you don’t right, yeah
Well, tell me what'd I say, yeah
Tell me what'd I say right now
Tell me what'd I say yeah

“I’m not bad,” Wilson said proudly.
“Not good enough to use two hands yet,” House replied.
“Keep ‘er goin’!” yelled the skinny man who had been ready to beat them up a short time before.  The crowd called out similar things.  House nodded to Wilson.   Laughing, he struck up the bass line. 
And I wanna know
Baby I wanna know right now
And-a I wanna know
And I wanna know right now yeah
And-a I wanna know
Said I wanna know yeah

“Now for the part your parents thought was so funny,” House said.  “Hey,” he sang.  “Now you repeat it.  Hey--“
“Hey”
“Ho”
“Ho” Wilson resolutely sang the repeat with no innuendo whatsoever.
“Hey-“
“Hey-“
“Ho-“
“Ho”
Yeah, baby, what’d I say, baby what’d I say, baby what’d I say,
baby what’d I say right now!”

House turned to their new audience.  “Call and response time, people!”  He turned back to Wilson.  “You too.”
Baby one more time--“ House swiveled around to the audience and nodded.
One more time!”
“You too, Wilson.”
One more time!”
Just one more time!”
Just one more time!”  House made a distinctly sexual groan - “Huh,”
Even though the other bar patrons echoed him, Wilson stopped playing.  “I can’t do this, House.”
“It’s what all the cool kids are doing.”
Wilson lowered his voice.  “I don’t moan in public.”
“You moaned plenty when you were doing that pediatric nurse in the laundry closet.  Don’t worry, it isn’t insta-gay.”
“But--okay.”
“Huh”
“Huh
“Hunh”
“Hunh”

House stopped playing.  He and Wilson stared at each other for what seemed a very long time.  Then Wilson seemed to realize where they were, dropped his head, resuming the bass line.  He looked up, and his eyes locked with House’s.  House moaned with what could only be called a lot of feeling.
“Hu-nh...”
“Hu-nh..”
“Oooh”
“Oooh”
Anh”“Anh”“Hyuh”“Hyuh”“Oh”“Oh”“Hyuh”“Hyuh”
“Yeah! Baby, it’s all right, baby it’s all right, baby it’s all right”

Wilson, cheeks fiery red, sang along with House, who grinned from ear to ear.
“Make me feel all right, make me feel all right, make me feel all right, make me feel all right, make me feel all right, make me feel all right...”

House was wrong.  It was insta-gay.

~~~~~~~~~~~~~~~



Here's the song, in case you've never heard it, or you just want to feel good:

Saturday, December 7, 2013

This Just In! Jensen Ackles's Inner Monologue During An Interview


This silly little piece was inspired by this interview, a promo interview in October, where Jensen keeps bobbing up and down in his chair, chewing gum, and looking distracted.  Quotes from the beginning slightly paraphrased.  The entire interview is posted below.  For those who don't know, this is a genre of fan fiction known as Real Person Fiction.  There is also Real Person Slash...glurk.

Jensen: "Dean is keeping a secret from Sam as he is wont to do."

Jared: "An angel embodies Sam, which is a fun, scary thing to do."


******************************

Jesus, here we go again. Jared's all excited about the “fun” he has playing multiple characters. I have to pretend to be excited about Dean. Dean’s doing bupkes. Yeah, yeah, on an island, nobody to help out—now he’s blabbing on about meeting Death, being ready to die—don’t worry about bro, I’ll be sitting over here. What? Someone’s asking me a question? Me and Cas?

We’re talking about Cas’s journey. Great. We start out with me, and then, boom, Cas. Cas Cas Cas. Back to Ezekiel. I wish this was over. I can’t even fake being interested right now. I'm tired. We've been shooting since 5 this morning.  I wish this was over and I could go back to the set. Dean is keeping a secret from Sam. Again. Dean is fucking up. Again. Dean throws punches. What season was it that I got to go to hell? That was something to get my teeth into.  

There goes Jared again with the multiple characters, the challenge... That Psych sticker is peeling off. Maybe I can peel it the rest of the way off. Nah, too far away.  Bugs me, peeling like that.  I'm hungry.  If my stomach rumbles during this interview, we're fucked and we'll have to do it all over again.

Jared plays angels, Lucifer, Soulless Sam, demon blood Sam, Meg Sam, Broken Brain Sam...is that all the Sams? Dean feels like shit. Always with the feeling like shit. I’ve got crying and feeling like shit and freaking out and loving my brother down cold. Is it so much to ask to writers to give Dean something else to do? I’m a professional actor, goddamnit. Throw me a bone, guys! Man, I miss Purgatory. That was fun to play. And Benny. I miss Ty. But then, yeah, the trials, Sam does the trials, Sam gets sick, and I get trying to talk my brother out of doing yada yada yada. Jared got all the critics creaming themselves about the trials and what a great actor he is...oh, did someone ask me a question?

(Answers question about the set)

I’m acting now, that’s for damn sure. When it this going to be over? Can’t stand doing press. If only y’all knew what I was thinking right now.